Copyrights and licensing
A
guide to copyrights and licensing.
Streamline Multimedia is committed to protecting your intellectual
property – your music, film, software, presentations,
and any other copyrighted material. That's why we are providing this
information on the International Recording Media Association's
(IRMA) Anti-Piracy Compliance Program, which
protects copyright owners from unauthorized reproduction
of their property. We actively help protect your property
rights of the owners of any third-party material you use
on your project.
While intellectual property rights procedures can sometimes
be time-consuming, they are a necessary safeguard to protect
the rights of everyone involved in creating material for
music CDs, DVDs, and CD-ROMs. Every legitimate
disc manufacturer will require you to prove ownership
of all copyrighted material before your discs can be duplicated/replicated.
We know that obtaining copyrights
and licenses can be confusing, so we've put together these
steps to help guide you through the process. |
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Protect
yourself from pirates - copyright your material! |
Register
all original work – songs, films, scripts, artwork, software,
etc. – with the United States Copyright Office. You automatically
own the rights to your creation, but registering it with the
Copyright Office is the best way to prove and protect your ownership.
To make the copyrighting process as easy as possible, Streamline Multimedia
has provided a link to Official Software, an online step-by-step
process to copyright your music, film, or any other material.
Go to www.officialsoftware.com
and you’ll be guided through the complicated world of
copyrighting with easy-to-understand filing forms, information,
and FAQs.
Songwriters may also want to affiliate and license your songs
with a performing rights society, like ASCAP, BMI, or SESAC
to collect performance royalties for your copyrighted songs. |
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Obtain the rights to third-party material used in your project. |
Music
When
your songs contain sampling. Using a portion of another
artist's work on your recording is referred to as sampling.
Samples can come from TV shows, movies, commercial sound bites,
or music clips of any kind. A sample, regardless of the length,
requires that you obtain a Master Use License to include
it on your project.
When
your disc or compilation includes previously released recordings.
For any previously released song you wish to use, you will need
permission from the owner of the master (usually a record label)
in the form of a Master Use License. The owner will
generally request information about the number of CDs you are
making and the countries where you intend to distribute, and
will often charge you a fee. If the rights to any content on
your master belong to a third party, you must also submit a
completed Audio
Manufacturing Agreement or a contract authorizing you to
reproduce the recording.
Note: If your project contains even a
snippet of someone else’s recording, Streamline Multimedia cannot
begin a replication project unless you send in a copy of your
Master Use License.
When you cover someone
else’s song. When you record a cover version
of someone else's song, you need to get a mechanical license
authorizing you to reproduce their composition. You can find
out who owns the copyright by contacting ASCAP, BMI, or SESAC.
Then either contact the owner directly and negotiate your own
rate, or contact the Harry Fox Agency and pay the prevailing
statutory rate of 8¢ per song up to five minutes, $1.55
per minute per song over five minutes. Applications for less
than 2,500 copies can be made online at www.songfile.com.
Note: It is your responsibility to obtain a mechanical
license when covering someone else’s song on your disc
and to properly credit the copyright owner on your artwork.
FILM
When
copyrighted music is included in a film, the specific
recording of the composition is usually owned by the artist's
record company. A Film Master Use License must be obtained prior
to replication.
When music is used in a film there are potentially two separate
copyrights involved that need to be licensed. In addition to
the Film Master Use License (which covers usage of the actual
recording), there is another license called a Synchronization
License (which covers the music publishing). A Synchronization
License is provided by the publishing company and although it
is required by law, it is not needed prior to replication.
Note: If you are using someone else’s copyrighted
music in your film, Streamline Multimedia must receive a copy of your
Master Use License to proceed with the replication.
BUSINESS
Third-party software applications, such as
Apple QuickTime, Windows Media Player, etc. may require a license.
These applications are the property of the organizations that
developed them. Even for freeware or shareware applications,
you need a User Distribution License to include them
on your project. Most software owners will require you to print
their logo, trademark, or copyright symbol on your packaging,
inserts, and discs. They may even mandate inclusion of warranty
disclaimers and other legal information. Most third-party software,
shareware, and freeware companies have downloadable licensing
agreements on their websites.
Note: If you are using someone else’s software
on your disc, Streamline Multimedia must receive a copy of your User Distribution
License to proceed with the replication. |
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Submit a completed IPR form. |
To
avoid delays, you must submit the following to Streamline Multimedia with
your master:
• A completed Intellectual
Property Rights (IPR) form.
•
A completed and Audio
Manufacturing Agreement (only needed if the rights to content
on your master belong to a third party).
Copies of the following licenses:
•
Master Use License (if your audio project contains
samples or whole songs of previously released recordings)
•
User Distribution License (if you are using someone
else’s software on your disc)
Reminder:
Owners of all rights to music you use should be credited on
your artwork (for music CDs) or in the on-screen credits (for
films on DVD).
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Copyright
and licensing FAQs
• I have a few samples
on my recording. I've heard that I'm able to include short samples
without royalty clearance. Is that true?
• If my product is
for promotion only and I am not going to sell my product, then
I do still have to obtain licensing?
• I place many reorders
on my selections at Streamline Multimedia. Does each selection need to
be reviewed and must I include an Intellectual Property Rights
(IPR) form for every reorder?
• If my master source
is reviewed by Streamline Multimedia and is considered unacceptable under
the IRMA program, will my order be canceled?
• Does the IRMA program
include the review of songwriting and publishing rights?
• Are blank Intellectual
Property Rights (IPR) forms for Audio CDs available on the Internet
for me to download?
I have a few samples on my recording.
I've heard that I'm able to include short samples without royalty
clearance. Is that true? No. You need to clear every
sample on your recording, regardless of the length of the sample
– even if it’s under a second long! Prior to replication,
you need to clear all permissions to use each sample on your
recording. If you can recognize the original recording (the
sample) in any way, you are considered to have taken value.
Click here to see
what license(s) are required for your project.
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If my product is for promotion only
and I am not going to sell my product, then I do still have
to obtain licensing? Yes; whether or not you sell a
product is not related to securing clearance. Permission is
required to use someone else's material, even if it is for promotional
purposes only.
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I place many reorders on my selections
at Streamline Multimedia. Does each selection need to be reviewed and
must I include an Intellectual Property Rights (IPR) form for
every reorder? If your initial order was placed prior
to May 1st, 2000 (the date when our piracy program went into
effect) we will need to review your reorder and require a completed
Intellectual Property Rights (IPR) Form. Any order placed on
or after May 1st, 2000 falls under our piracy program procedures,
and does not need to be reviewed again. Once your order has
been reviewed once, it will not be reviewed again.
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If my master source is reviewed by Streamline
Multimedia and is considered unacceptable under the IRMA program,
will my order be canceled? No, but it may be delayed!
Your Account Manager will explain exactly why it failed and
what is needed to bring your audio program into compliance to
proceed with your order. If you are unable to make the necessary
changes, or if Streamline Multimedia does not receive the necessary information,
your source master will be returned to you and your order will
be canceled.
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Does the IRMA program include the review
of songwriting and publishing rights? No, but you still
must secure these rights prior to replication. You can submit
your request to The Harry Fox Agency, through their on-line
songfile.com registration service, or call them at 212-370-5330.
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Are blank Intellectual Property Rights
(IPR) forms for Audio CDs available on the Internet for me to
download? Yes. Click
here to download our CD-Audio Intellectual Property Rights
form.
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